Only a few performers earn acclaim for developing a unique sound. Emeline Michel can count herself among those few.

Known for her fusion of traditional Haitian rhythms (kompa, rasyn, and twoubadou) with other musical genres (pop, jazz, and blues), Michel said she created a sound, which appealed to both traditional and contemporary listeners worldwide.

Combined with Michel’s hypnotic and bluesy voice, which draws comparisons to the great Joni Mitchell, and remarkable stage presence, Michel said she has made her mark as one of the most notable Haitian singers, songwriters and musicians of the past two decades.

Born in Haiti, Michel said her foray into music began as a singer in the Church of Gonaives’ gospel choir.

Later, she studied at the Detroit Jazz Center, refining both her voice and musical style.

Michel said her return to Haiti showcased “a new sound,” highlighted on her debut album, Douvanjou ka leve.

She continued her studies in France, where she received classical voice training under the tutelage of the legendary voice coach, Richard Cross.

Several albums followed: Tankou Melodie, Flanm, and Ban’m Pase included.

Michel’s second album, Tout Mon Temps, featured the top single, “A.K.I.K.O.”

As Michel stated, “A.K.I.K.O.” urged Haitians to “stop fighting, come together and create a country that would make the next generation proud.”

“Without unity, we have no future,” she said.

A global sensation, “A.K.I.K.O” charted in many countries, including Belgium, French Guiana, Chile, Japan and Canada.

Michel’s list of appearances is quite extensive: Carnegie Hall, United Nations, the Clinton Global Initiative, Montreal International Jazz Festival, New Orleans Jazz Festival, Fuji Rock Festival, Seychelles Island Creole Festival, and the Teatro del Silencio, where she performed with Andrea Bocelli and the Choir Voices of Haiti in Italy.

Still, Michel said it was her performance on MTV’s “Hope for Haiti Now: A Global Benefit for Earthquake Relief” telethon, which garnered the most acclaim.

She said her rendition of Jamaican reggae artiste, Jimmy Cliff’s “Many Rivers to Cross,” and other similar performances, which led the New York Times’ Ben Sisario to declare Michel a “diplomat of music” and a “dancing ambassador with a voice as serene and warm like the breeze.” Continue reading

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